Mas Productions- Lady Vendredi
Thomas worked with Nwando through NON CLASSICAL, and offered space/funding to seed the Lady Vendredi project
The Month Long residency including workshops and a scratch performance of the piece
Nwando Ebizie is an experimental performance artist, musician, producer, DJ and dancer from Nigeria who has lived, performed and played all over the world (including: Oi Futuro Gallery – Rio de Janeiro, Chalet – Berlin, Baltais Fligelis Concert Hall – Latvia, Bonobo – Tokyo, Blok – Zurich). Her work eschews boundaries, but incorporates her training in classical piano, electronic music production (British Academy of New Music), circus, aerial arts (Circomedia), physical theatre, and various forms of dance, with her interests in multi-disciplinary work and ritual performance.
As co-director of Mas Productions theatre company, Nwando describes their work as ʻsecular ecstatic artʼ – para-disciplinary work continuing Jonathan Grieve’s (Artistic Director of Para Active ’97-’07) process which seeks to combine the immediacy of music, the conceptualism of live art with the interactive ritual of African (and Diasporic) syncretic ritual forms. Nwando has performed at theatre festivals including London International Festival Theatre, Salisbury International Arts festival and Tempo Festival in Rio de Janeiro.
In her work as a musician Nwando has composed for theatre including a soundtrack for Para Active’s award-winning overnight Brazilian piece “Hotel Medea”, and released her first single on electroclash pioneer Larry Tee’s Carnage Records. She is a recipient of the Steve Reid Innovation award and is currently supported by Brownswood Records, Gilles Peterson, Floating Points and Four Tet. Her debut EP is due for release in April 2016 under the moniker ‘Lady Vendredi’.
Always excited by collaboration across disciplines, she has worked with a range of world class musicians, artists and producers including LV, Guillermo Gomez Pena and Princess Superstar.
For the past five years Nwando has also been a resident DJ on the London club scene (Barrio, XOYO, Favela Chic), and festivals including Reading, Wireless, Hard Rock Calling and Secret Garden Party, playing eclectic sets inspired by her time in Brazil, Nigerian heritage, and love for European electronic music. As a resident for Gabriel Prokofiev’s label/ night Nonclassical, Nwando blends fragments of classic contemporary repertoire with complex and evolving electronic loops. DJ credits for Nonclassical include for LSO Aftershock (Barbican), Ynight (Bern/Zurich), Baltais Fligelis Concert Hall (Riga). Inspired by her love for classical music mixed with experimental electronics, she has formed a harp/electronics project called Tendons who have performed at the Royal Opera House.
Nwando is also a Consultant Creative Producer, organising art and music festivals (Lowbrow Festival, Haggerston Park 2012) contemporary classical clubs (Nonclassical @ bloc ft Nathan Fake + Multistory Orchestra 2014) and intercontinental livestreamed gigs (http://www.nonclassical.co.uk/global-streaming/).
NWANDO IS AN INTERNATIONAL DJ – FROM RIGA TO RIO AND TOKYO TO ZURICH, NWANDO BEGAN AS A RESIDENT DJ FOR LONDON BASED CLUB BARRIO. AS RESIDENT DJ FOR CONTEMPORARY CLASSICAL CLUB NONCLASSICAL SHE PERFORMED AT CLUBS INCLUDING XOYO AND BLOC. SHE HAS RECENTLY BRANCHED OUT INTO RADIO, GUESTING SHOWS FOR GILLES PETERSON’S WORLDWIDE FM. PAST CLIENTS INCLUDE NET A PORTER, SECRET GARDEN PARTY AND ROYAL AUTOMOBILE CLUB.
Went on to Soho Theatre, The Roundhouse, Rich Mix
‘Increasingly unhinged in the best possible way… you will need to leave your inhibitions in the cloakroom.’
★★★★★ Time Out
‘Provocative, occasionally even offensive, but never unimaginative… Do consider a trip to Planet Vendredi.’
‘Lady Vendredi is surely one of the most compelling stage performers out there, with a rich, worldly repertoire that means whatever she does next will surely be fascinating.’
‘The love child of Azealia Banks and Neneh Cherry.’
‘Courageous, funny, exciting and relentless.’
Both Sides Now Magazine
‘Fresh, raw and totally unique.’
‘An explosive return from a unique artist.’
‘Lady Vendredi is more than artist, she is a ‘movement of force.’
Blues and Soul
‘…great music, a truly innovative fusion; a fabulous team of supporting performers and musicians; a way of using the vodou material that works outside of its religious/ritual origins; and the praiseworthy intention of finding interesting, humorous and courageous ways to explore questions of race, gender and cultural identity. Most of all, what’s here is the passion. Everything’s ripe for the taking – go get, Lady Vendredi.’
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- Date :
Jul . 01 . 2013